Is not everybody here have a true sophomore plants, vs, zombies, garden warfare, 2 gameplay here today we're going to our selves right through a cannon down here to little secret spot in case you guys didn't know, there's a little passage way down here. That leads to like little mini games, and there is a mini game down here called, I believe it's called the shooting range earned a crazy shooting range. It is actually right here behind this very door with a little star on it takes, I believe, 5 stars again. So we have actually just 5 stars out in two batches are in five starts over now i cant open the door and we are end. The crazy shooting range old friend over here see what he has to say https://casinoslots-ie.com/real-money-casinos.
He is the target know me says: welcome to crazy targets range, you can practice by shooting noms, but please don't shoot me. Ok now you know what mister? No I don't know. I can't make any promises I made. It may be an accident, I don't know, or maybe we'll never know, but one of the reasons why I want to come down here is because you guys didn't know over here, there's actually a leaderboard, you could see who are the top players and, while 12:29, that's A previous order, the top we're gon na try to beat. That is if we get ourselves on the leaderboard, because that is pretty epic.
If we get on the top well, I don't wan na be able to get into the top, but let's shoot for a least a top 10. So what if this video is, whether my best one is all posted, so guys I'll see you in a second that was pretty good. I think I have found the secret weapon, that is the toxic p, and you have to boost the stars who's that he should be because he has so much last edited I am paying all the shots, yest. Ok, we are definitely where deadly do pretty good.
I'M actually hitting everything is so good. Last 18 years wow, that was pretty good 12:33. Ok, we might be at the top and check and see - and yes, we are number two just behind this guy right here in like three or four seconds ahead is pretty good. That is def a pretty good chillaz German. The secret to this one is used to talk sleepy boost at the beginning and he don't add, actually have to hit the target at beginning to get a little blue things on the bottom and the splash damage just a nihilist everything. This is definitely pretty cool.
That would actually be pretty epic if you like, go into his guy, like by different items and he's actually saying something different. This calls for celebration wall. No, are you kidding me?
Look at my God. Look at all these diamonds. Oh my gosh. We always wait. They'Re still going, oh, my gosh they're still going and how many of these get out of a hundred thousand, which definitely see how many we have now is go and check whoa, she's, ok later Jimmy.
This is definitely a okie. I'M definitely crazy. My dude, my due date, is so so much lazy gentleman if you go down here to get the high score. This little-known right here gives you a crazy amount of diamonds, is deathly. Pretty awesome hope you guys enjoy the video if he did don't really like it, helps out a bunch of guys. Let me know in the comment section below what is your best time in the crazy shooting range mine.
Of course you have to just seen it. I think I'm gon na sit here and try to beat my score because I deadly one another round of all those diamonds stay tuned as a more plants, vs, zombies, garden, warfare, 2 gameplay from me, and as always your boys society.
- Talk into this so they can hear you. - My question is is there any chance you can be my mentor? - So, Jesus. (audience laughs) Definitely not.
Mainly on the back of I don't even know how people, I don't even talk to DRock. I barely talk to my mom and my brother. I don't want to stand up here in front of, I don't care how much they aww and hum.
I've no interest in bullshitting you. I think mentorship is an interesting thing. Here's what I would say for you. One, especially, with me, nobody is spending more time and energy and resources trying to show people what to do.
It's literally like I'm putting it out every day. So mentorship, super-easy. Number two, what I will do is I'm more than happy to give you a summer internship on my team. (audience cheering) So if you can figure out how to get to America, I'm sure you will.
You made a fucking sign. And so-- - [Man] Wouldn't use that as a boat. - You can just get on that. Happy to do that for you. - Thanks.
- You're welcome, buddy. Just send me an email. It's email@example.com. Good job.
Take care. Come on. DRock needs still shots these days. I can sign it. Hold this up.
DRock's been fucking bugging me. (audience laughs) Awesome, you got a pen? - [Man] Here you go. - Markers, nice.
Now, here's the most important part of this. You have to sell this on eBay. (laughing) Melbourne, I love you. - [Man] Give him a hand. (audience cheering and applauding) Gary V! - Do something!
So something, please! Thank you. Thank you for coming. Thank you. Even you.
And so, I think finding a balance of raising a child with entrepreneurial aspirations, finding a cadence between them respecting things, but also leaning in on their strengths. But it's interesting that the person put limited means. It means that they're feeling some insecurity that they can't give their kid a $10,000 boost.
That's the best thing that happens. Put a kid out there that has to learn how to eat for themselves. The best thing that ever happened to me was when I rolled up on my mom in fifth grade and I was like, mom, everyone's getting Nintendo. I was Nintendo. She looked me dead in the face and, with her Russian accent, she said go buy it.
So then, I fucking shoveled snow and fucking raked leaves and washed cars and sold lemonade. And from a very young age, I learned how to make money for myself. I genuinely think entitlement is poison. Abundance is poison for entrepreneurs. I genuinely think restrictions, limits, and lack of resources are the foundations of the best entrepreneurs. - [Man] Yeah, very good.
Next question comes from Chris. He says how can I take my indie comic book from being a small-scale project into a large brand that more readers will care about and enjoy just as much as I enjoy creating it. - Chris, I think there's a couple of things. One, first of all, you have to understand, the market is the market. And so, for me, two things that I would do.
One, if it's good, I'm blown away by how many people get mad at doing free work. All these creators get mad at free. It's so laughable. I always do shit for free and will continue to do things for free because it creates leverage and context. So what I would do, Chris, if you can afford it, and if you couldn't afford it, have a side hustle that lets you afford giving away 3,000, a thousand, 2,000 of the comics. Go to a Comic-Con.
Use online hashtags of people that are interested. Just give it away. The attention's worth more than anything else. And I always say, watch what I do, not what I say. There's a reason I don't sell products.
There's a reason I don't have masterminds, or e-books, or things of that nature. I give away all my content for free because your attention's more valuable than extracting money from you. So I would give away the comic book at scale.
- [Man] Very good. Next question, the last question, number six comes from Pam. She says what's the number one piece of crap thinking or behavior that gets up your nose?
She wants to know what this room needs to hear to start doing better in business and life. - Man, I like you, Pam. (laughing) Pam, there's a lot, I mean, look, there's so much... I mean, look, the thing that really drives me crazy, and I just spoke to it, is entitlement. Anybody here that thinks anybody owes them anything is already in deep shit. Entitlement's stunning.
Number two, the thing, lack of patience. It's why I push it so hard. You want to make a million dollars a year and you think that's supposed to happen in the first two three, four, five, seven years of you doing something. It's laughable. People have gotten so crazy about the one or two things like Uber and Instagram without realizing that it's, you're more likely to win the lotto than start a company that looks like that.
You're more likely to get struck by lightening seven times than starting anything that looks like Uber or Instagram. So just people's perspective is completely fucked. I don't understand what people are doing out here.
I don't know what it is in Australia, look this up. The median income levels compared to what people are aspiring to. I America, if you make $440,000 a year, you're in the 1% earners in one of the richest countries in the world. If you make $440,000 a year in America, you're in the 1%. That's the bottom of the 1%, but you're in the 1%. Yet, everybody's walking around like, if they don't make a million bucks, they haven't even started doing anything.
And so, perspective, entitlement, complete lack of patience. This stuff is hard and takes a lot of work. Clearly, what gets in my nose, which I like the way you put it, is when we transition to this Q&A, that I had a rant for two more minutes.
I can't wrap my head around how many people have consumed the same shit from me 67 times, in written form, in audio form, in video form, and in 88-page deck form, in LinkedIn form. I spend millions of dollars saying the same fucking shit in 400,000 ways, hoping today's going to be the fucking day. That fucking pisses me off, Pam. (laughing) (audience applauding) - [Man] That was the last question. So any last words?
You flew 36 hours. You're here. Any last words you want to give? - That's a big sign.
Can I ask a question? Yes, that's just, I have to reward that ridiculous sign. Go ahead.
(laughing) I'll repeat it. (speaking faintly off mic) I'm here. Come up here. Let clap it up for Amir. Yo, Amir's buddy, hold up the sign that you guys made. Stand up and hold it up.
It's such a piece of shit, (audience laughs) but it worked. Come up here, Amir. Bring your fucking sign. This is perfect. This is attention arbitrage.
I mean, how much did this piece of shit cost? Like, a dollar? Look at this. But it worked. Good job. What's your question?
(cheering) Do you have a mic for him? Or you can speak into my mic. - [Man] Here, I'll give him mine. - There we go.
- I'm currently 15 years old. - 15? - Yeah. (cheering) I skipped a day of school for this. - That's a great decision. - Yeah.
However, while Oshima lets his character’s use this kind of stereotype in their dialogue, he does not allow the movie to present the same ideas that his characters hold. In other words, by contrasting character’s dialogue with the actual events that unfold, he paints for the audience a different picture – one which allows us more understanding of these concepts.
In terms of how the two cultures relate to death, there are many points in the movie where Oshima brings into question commonly held stereotypes. Jack and Lawrence are spared from death multiple times by Sakamoto and especially Hara Gunso – the two characters who would most be expected to not show any sympathy. Furthermore, when the tables are turned, the British, who supposedly placed such value on the sanctity of life, are shown to not do so at all when the sentence the Japanese to death.
Ideas of individuality as well are shown to not be as simple as just an East vs. West difference. As we learn about Jack’s background, we witness the power of group thought and the attack on individuality, not in Japan, the East, but in England. Additionally, Hara Gunso repeatedly shows examples of taking more individual action than many of the British characters.
Of all the characters though, the one who seems to echo most closely Oshima’s views would be Lawrence. This is especially apparent in some of the lines he has toward the concept of war, for example when he responds to an execution and is then questioned about whose actions were right and who’ s were wrong. “No, no captain Yanoi,” he says, “You’re wrong. …We’re all wrong.” Later, he follows up these sentiments with “…and the truth is, of course, that nobody’s right.” The simplicity of viewing one side always in the same way, for example as one side being “right” in war, is shown now to be a gross oversimplification, and in fact, a dire mistake.
Merry Christmas Mr. Lawrence is not so serious and didactic though as to become overly weighty toward the viewer. In fact, I found some scenes to be almost hilarious in their unwitting attempts at ironic humor. When David Bowie voices the line “I wish I could sing,” I almost burst at the seams. Other, similar one-liners are enough to give the movie a unique kind of quirkiness that, if taken just a little bit further, would be enough to make one wonder when the Goblin King is going to break into another rendition of Magic Dance.
Title: 戦場メリークリスマス (Senjou Merii Kurisumasu)
English Title: Merry Christmas Mr. Lawrence
Release Date: 1983
Director: Oshima Nagisa
Starring: Tom Conti, David Bowie, Sakamoto Ryuichi, Kitano, Takeshi
The music, composed by Sakamoto Ryuichi, captured me right from the start. Evocative, and hauntingly beautiful, I immediately recalled the music by Masuda Toshio from the series Mushishi and realized the influence he must have had from Sakamoto’s style.
Probably the first thing that I should write in my essay about this movie is that David Bowie plays a lead character. Known more for inventing the character Ziggy Stardust and singing cosmic, space rock, any movie that features Bowie, not for his music, but for his acting is bound to catch the eye.
Bowie, however, is not the only musician playing a lead role in this movie as composer of the film’s soundtrack Sakamoto Ryuichi also stars, as a head of the P.O.W. camp where the film takes place. In addition to Sakamoto’s role, the characters played by Tom Conti and Kitano Takeshi, who give the movie’s best performances, have the most depth and make the movie a very enjoyable watch. We also can’t forget Oshima Nagisa, and his role as the creator and visionary behind this international effort film.
The setting takes place at a Japanese P.O.W. camp in Burma, during World War II. Lawrence (Conti) is one of the many, mostly British prisoners; however he is different in that he has spent some time in Japan and can speak Japanese. This enables him and Kitano’s character, Hara Gunso, to form a connection, and as close of a friendship as their circumstances dictate.
It amazes me how many different issues Oshima attempts to tackle with this one movie. The most obvious is the contact / confrontation of two different cultures – Japanese and English, East and West. Within this sphere, Oshima attempts to portray both similarities and differences between the two, and also capture popular images and views toward the other from that time.
The first of these relates to different views on the concept of death. The British soldiers are portrayed as placing value on the preservation of life – one’s own and others. This is different from some of the Japanese soldiers, especially Yanoi (Sakamoto) who feels that there is more value in ending one’s life than being caught, something which he himself regrets not having done, after some of his comrades were killed.
Also issues of individuality and portrayals of the concept of “the group,” appear repeatedly throughout the movie. Lawrence and Jack (Bowie) at one point spitefully joke about how the Japanese can’t do anything individually and, indeed, events happen in the movie, which might lead one to believe there is some shred of truth to what the characters say.